258 bars of 4/4 at 136 BPM, about 7:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-55, snare through bars 56-60, hi-hat through bars 61-69, snare through bars 70-73, hi-hat through bars 74-91 and snare through bars 92-99, and 27 more changes after that.
The beat the song is built on is one bar, played through bars 10-16, 58 and 60-66, and 28 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-------x-x---x-|30 fills to learn, played 58 times: bars 17, 33, 35, 37, 47, 57 and 52 more.
It cuts the song into 77 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
258 bars, about 7:35 at the written tempo. The course breaks it into 77 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 58 times: bars 17, 33, 35, 37, 47, 57 and 52 more.