76 bars, 4:07, at 73 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 3-10, toms through bars 11-15, silence through bars 16-18, hi-hat through bars 19-23, ride through bars 24-29 and toms through bars 30-33, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 11-14, 52 and 67-70 -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11
1...........2...........3...........4...........
SD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|
T2 |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|
BD |x-----x-----x-----x-----x-----x-----x-----x-----|
HF |x-----x-----x-----x-----x-----x-----x-----x-----|8 fills to learn, played 13 times: bars 23, 30, 31, 32, 33, 42 and 7 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
73 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 83 out of 100; the rest of the number is everything around it.
76 bars, about 4:07 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 23, 30, 31, 32, 33, 42 and 7 more.