191 bars at 218 BPM -- fast, and 3:30 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 2-35, toms through bars 36-38, snare through bars 39-44, hi-hat through bars 45-46, snare through bars 47-75 and toms through bars 76-78, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 3-8, 11-13 and 15-16, and 32 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
143
1e+a2e+a3e+a4e+a
CC |x-------x-------|
BD |x-x---x---x---x-|15 fills to learn, played 47 times: bars 10, 14, 19, 20, 30, 36 and 41 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
218 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
191 bars, about 3:30 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 47 times: bars 10, 14, 19, 20, 30, 36 and 41 more.