195 bars at 175 BPM -- fast, and 4:27 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-32, snare through bars 33-47, hi-hat through bars 48-64, snare through bars 65-80, hi-hat through bars 81-119 and snare through bars 120-146, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 36 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
65
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-------------x-|13 fills to learn, played 23 times: bars 18, 20, 28, 30, 32, 34 and 17 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
195 bars, about 4:27 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 23 times: bars 18, 20, 28, 30, 32, 34 and 17 more.