141 bars at 213 BPM -- fast, and 2:39 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-2, silence through bars 3-5, hi-hat through bars 6-24, snare through bars 25-27, toms through bars 28-29 and snare through bars 30-37, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 14-16, and 19 more places -- 47% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-x---xxx-x---x-|12 fills to learn, played 17 times: bars 28, 29, 53, 60, 61, 68 and 11 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
213 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
141 bars, about 2:39 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 28, 29, 53, 60, 61, 68 and 11 more.