97 bars of 4/4 at a walking 100 BPM, 3:53 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
73 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-16, hi-hat through bars 17-72, silence through bars 73-81 and hi-hat through bars 82-97.
The beat the song is built on is one bar, played through bars 17-72 and 82-97 -- 98.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
18
1e+a2e+a3e+a4e+a
CC |-x-x-x-x-x-x-x-x|
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
FT |x--x--x-x--x--x-|
BD |x--xx---x--xx---|1 fill to learn, played 1 time: bar 81.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 69 out of 100; the rest of the number is everything around it.
97 bars, about 3:53 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 81.