66 bars of 4/4 at a walking 84 BPM, 3:07 of playing, on ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-18, hi-hat through bars 19-22, snare through bars 23-35, hi-hat through bars 36-38, snare through bars 39-52 and hi-hat through bars 53-56, and 1 more change after that.
The beat the song is built on is one bar, played through bars 2, 4 and 6-10, and 5 more places -- 53% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-----x-x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 9 out of 100; the rest of the number is everything around it.
66 bars, about 3:07 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 25 minutes each.
ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.