156 bars of 4/4 at 118 BPM, about 5:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 2-25, hi-hat through bars 26-45, ride through bars 46-50, snare through bars 51-55, ride through bars 56-57 and snare through bars 58-65, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 2-25, 58-64 and 71, and 1 more place -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3
1e+a2e+a3e+a4e+a
SD |------------x---|
BD |x-----x-x-------|11 fills to learn, played 19 times: bars 33, 41, 49, 57, 65, 69 and 13 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
156 bars, about 5:16 at the written tempo. The course breaks it into 48 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 33, 41, 49, 57, 65, 69 and 13 more.