73 bars of 4/4 at a walking 80 BPM, 4:00 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-67 and silence through bars 68-73.
The beat the song is built on is a 2-bar phrase, played through bars 18-20, 22-24 and 26-28, and 6 more places -- 38.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18 19
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----------------|------------x---|
HH |x-x-x-x-x-o-x-x-|x-x-x-x-x-o---x-|
SD |----x-------x---|----x-------x---|
BD |x--x--x-x-----x-|x--x---xx-----x-|
HF |----------------|------------x---|5 fills to learn, played 7 times: bars 5, 33, 34, 36, 37, 42 and 1 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
73 bars, about 4:00 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 5, 33, 34, 36, 37, 42 and 1 more.