84 bars, 4:48, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-8, hi-hat through bars 9-20, ride through bars 21-23 and hi-hat through bars 24-84.
The beat the song is built on is one bar, played through bars 9-19 and 30-38 -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1...........2...........3...........4...........
HH |x--x--x--x--x--x--x--x--x--x--o-----x--x--x--x--|
SD |------------x-----------------------x-----------|
BD |x-----x-----------x-----------x-----------------|5 fills to learn, played 14 times: bars 5, 6, 7, 8, 48, 57 and 8 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
84 bars, about 4:48 at the written tempo. The course breaks it into 30 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 5, 6, 7, 8, 48, 57 and 8 more.