248 bars at 200 BPM -- fast, and 4:58 of it without a break -- on crash, hi-hat, snare and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-24, snare through bars 25-32, hi-hat through bars 33-70, snare through bars 71-76, hi-hat through bars 77-80 and snare through bars 81-100, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 9-15, 17-24 and 33-39, and 11 more places -- 47.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
42
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-----x---x-----|5 fills to learn, played 10 times: bars 4, 8, 16, 56, 76, 128 and 4 more.
It cuts the song into 35 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
248 bars, about 4:58 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 10 times: bars 4, 8, 16, 56, 76, 128 and 4 more.