312 bars of 4/4 at 118 BPM, about 10:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-11, hi-hat through bars 12-21, toms through bars 22-25, hi-hat through bars 26-33, toms through bars 34-35 and hi-hat through bars 36-68, and 26 more changes after that.
The beat the song is built on is one bar, played through bars 12-13, 15 and 17-20, and 13 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |------o-----o-----o-----o-----o-----o-----o-----|
SD |------x-----------x-----------x-----------x-----|
BD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|27 fills to learn, played 54 times: bars 21, 22, 23, 24, 25, 34 and 48 more.
It cuts the song into 71 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 86 out of 100; the rest of the number is everything around it.
312 bars, about 10:25 at the written tempo. The course breaks it into 71 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 54 times: bars 21, 22, 23, 24, 25, 34 and 48 more.