184 bars of 4/4 at a walking 100 BPM, 7:22 of playing, on hi-hat, snare, mid tom and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
The time is kept on the hi-hat the whole way through.
The beat the song is built on is one bar, played through bars 33, 36-41 and 43-47, and 13 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
33
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x------xx-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
184 bars, about 7:22 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.