267 bars of 4/4 at 151 BPM, about 7:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-36, ride through bars 37-42, snare through bars 43-46, hi-hat through bars 47-50, snare through bars 51-54 and hi-hat through bars 55-58, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 21 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
167
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |x-----x-----x-x-|13 fills to learn, played 19 times: bars 15, 16, 32, 112, 119, 120 and 13 more.
It cuts the song into 55 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
151 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
267 bars, about 7:09 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 15, 16, 32, 112, 119, 120 and 13 more.