67 bars at 188 BPM -- fast, and 1:23 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-15, silence through bars 16-17 and snare through bars 18-67.
The beat the song is built on is one bar, played through bars 19-26, 31-33 and 35-42 -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19
1.....2.....3.....4.....
CC |x--x--x--x--x--x--x--x--|
SD |---x-----x-----x-----x--|
BD |x-----x-----x-----x-----|5 fills to learn, played 7 times: bars 4, 6, 10, 12, 18, 34 and 1 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
188 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
67 bars, about 1:23 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 4, 6, 10, 12, 18, 34 and 1 more.