89 bars of 4/4 at a walking 88 BPM, 4:03 of playing, on crash, hi-hat, snare and kick.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-12, snare through bars 13-15, hi-hat through bars 16-25, silence through bars 26-28 and hi-hat through bars 29-60, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 29-39, 69-71 and 76-79 -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |---x--x----x--x-|
BD |x---x---x---x---|6 fills to learn, played 11 times: bars 16, 20, 28, 41, 42, 58 and 5 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
89 bars, about 4:03 at the written tempo. The course breaks it into 40 exercises over 17 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
6 fills to learn, played 11 times: bars 16, 20, 28, 41, 42, 58 and 5 more.