174 bars of 4/4 at 150 BPM, about 4:38 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on how many notes a second it asks for.
kick and crashes through bars 2-7, snare through bars 8-9, hi-hat through bars 10-25, snare through bars 26-27, ride through bars 28-29 and snare through bars 30-31, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 13-24, 43-48 and 67, and 3 more places -- 31.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |------------o-----------o-----------o-----------|
SD |------------x-----------------------x-----------|
BD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|9 fills to learn, played 26 times: bars 9, 25, 39, 41, 49, 61 and 20 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 67 out of 100; the rest of the number is everything around it.
174 bars, about 4:38 at the written tempo. The course breaks it into 44 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 9, 25, 39, 41, 49, 61 and 20 more.