267 bars at 160 BPM -- fast, and 6:01 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 3-6, ride through bars 7-18, hi-hat through bars 19-22, kick and crashes through bars 23-24, hi-hat through bars 25-46 and ride through bars 47-48, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 43-45, 49 and 51-53, and 5 more places -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
44
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |-x-x-x-x-x-x-x-x|
BD |x-x-x-x-x-x-x-x-|20 fills to learn, played 38 times: bars 6, 10, 12, 22, 24, 25 and 32 more.
It cuts the song into 74 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
267 bars, about 6:01 at the written tempo. The course breaks it into 74 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 38 times: bars 6, 10, 12, 22, 24, 25 and 32 more.