198 bars at 173 BPM -- fast, and 4:35 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-26, snare through bars 27-42, hi-hat through bars 43-58, snare through bars 59-82, hi-hat through bars 83-89 and snare through bars 90-114, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 27, 29 and 31, and 38 more places -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27
1e+a2e+a3e+a4e+a
CC |x-------x---x---|
SD |--------x-------|
BD |x-----x-----x---|4 fills to learn, played 6 times: bars 50, 58, 146, 154, 162 and 170.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
173 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
198 bars, about 4:35 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 50, 58, 146, 154, 162 and 170.