78 bars of 4/4 at a walking 88 BPM, 3:31 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-5 and ride through bars 6-78.
The beat the song is built on is one bar, played through bars 7-11, 15 and 17, and 12 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17
1.......2.......3.......4.......
CC |x-------------------------------|
RD |----x---x---x---x---x---x---x---|
SD |--g-----x-----x---x-----x-----x-|
BD |x---x-----------x---x-----------|8 fills to learn, played 19 times: bars 12, 16, 18, 19, 20, 24 and 13 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
78 bars, about 3:31 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 12, 16, 18, 19, 20, 24 and 13 more.