76 bars of 4/4 at 116 BPM, about 2:37 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-20, snare through bars 21-28, hi-hat through bars 29-44, snare through bars 45-52, hi-hat through bars 53-60 and snare through bars 61-76.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 45-47, and 6 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1e+a2e+a3e+a4e+a
CC |x-g-g-x-g-g-g-g-|
SD |----x-------x---|
BD |x-----x---x-----|4 fills to learn, played 12 times: bars 4, 8, 12, 16, 24, 28 and 6 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
76 bars, about 2:37 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 4, 8, 12, 16, 24, 28 and 6 more.