76 bars of 4/4 at a walking 96 BPM, 3:10 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-3, snare through bars 4-8, hi-hat through bars 9-20, snare through bars 21-30, hi-hat through bars 31-44 and snare through bars 45-56, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 19-26, 41-48 and 65-67, and 1 more place -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1.......2.......3.......4.......
CC |x---x---x---x---x---x---x---x---|
SD |--------x---------------x-------|
BD |x-x---x-----x-x---x---x---------|5 fills to learn, played 6 times: bars 17, 18, 30, 39, 60 and 64.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
76 bars, about 3:10 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 17, 18, 30, 39, 60 and 64.