105 bars of 4/4 at 128 BPM, about 3:16 of playing, on crash, hi-hat, snare and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, kick and crashes through bars 10-17, hi-hat through bars 18-33, silence through bars 34-37, kick and crashes through bars 38-45 and snare through bars 46-49, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 21-30, 51-56 and 58-64, and 1 more place -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-x---x-x-x-----|3 fills to learn, played 6 times: bars 48, 49, 57, 65, 97 and 105.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
105 bars, about 3:16 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 6 times: bars 48, 49, 57, 65, 97 and 105.