69 bars, 3:17, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, floor tom, kick and hi-hat foot and nothing else.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, snare through bars 10-17, silence through bars 18-19 and snare through bars 20-69.
The beat the song is built on is one bar, played through bars 10-17, 28-42 and 44-69 -- 83.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
11
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-----x--xx-----|
HF |x-x-x-x-x-x-x-x-|3 fills to learn, played 3 times: bars 9, 27 and 43.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
69 bars, about 3:17 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 9, 27 and 43.