114 bars of 4/4 at 120 BPM, about 3:40 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-26, toms through bars 27-29, hi-hat through bars 30-80, kick and crashes through bars 81-85 and hi-hat through bars 86-114.
The beat the song is built on is one bar, played through bars 31, 33-34 and 36-37, and 19 more places -- 40.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
36
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |------------x---|
FT |----x-----------|
BD |x---x---x---x---|7 fills to learn, played 10 times: bars 26, 38, 56, 64, 65, 66 and 4 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
114 bars, about 3:40 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 26, 38, 56, 64, 65, 66 and 4 more.