146 bars of 4/4 at 135 BPM, about 4:20 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-18, hi-hat through bars 19-50, silence through bars 51-54, hi-hat through bars 55-82, silence through bars 83-97 and ride through bars 98-146.
The beat the song is built on is one bar, played through bars 98-105, 107-109 and 111-112, and 7 more places -- 30.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
99
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--x-x-x-x-x-x-x-|
SD |x-----x-----x---|
BD |--x-x---x-x---x-|5 fills to learn, played 18 times: bars 34, 42, 54, 65, 66, 106 and 12 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
146 bars, about 4:20 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 18 times: bars 34, 42, 54, 65, 66, 106 and 12 more.