311 bars of 4/4 at 120 BPM, about 10:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with how fine the subdivision is the part that decides it.
hi-hat through bars 1-7, silence through bars 8-12, hi-hat through bars 13-20, silence through bars 21-30, hi-hat through bars 31-38 and silence through bars 39-63, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 197-206, 208-209 and 211-212, and 9 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
197
1.......2.......3.......4.......
RD |--------x---------------x-------|
SD |--------x---------------x-------|
FT |x---------------x---------------|4 fills to learn, played 7 times: bars 135, 136, 193, 194, 195, 259 and 1 more.
It cuts the song into 59 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with how fine the subdivision is the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
311 bars, about 10:22 at the written tempo. The course breaks it into 59 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 135, 136, 193, 194, 195, 259 and 1 more.