94 bars of 4/4 at a walking 92 BPM, 4:04 of playing, on hi-hat, snare, high tom and kick.
69 out of 100: demanding, mostly on how much of it falls off the beat.
toms through bars 2-3, hi-hat through bars 4-44, silence through bars 45-49, hi-hat through bars 50-74, toms through bars 75-76 and hi-hat through bars 77-80, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 4-7, 9-15 and 17-32, and 5 more places -- 95.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
4
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x----g--x--g|
BD |xxxx---x--x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 63 out of 100; the rest of the number is everything around it.
94 bars, about 4:04 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 22 minutes each.
hi-hat, snare, high tom and kick. Nothing in the part asks for anything else.