146 bars of 4/4 at 137 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-24, hi-hat through bars 25-32, ride through bars 33-40, snare through bars 41-56, hi-hat through bars 57-64 and ride through bars 65-72, and 8 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 33-38 and 65-70 -- 8.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33 34
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
RD |--g-x-g-x-g-x-g-|x-g-x-g-x-g-x-g-|
SD |--------x-------|--------x-------|
BD |x-----------x---|--x-x---------x-|15 fills to learn, played 63 times: bars 39, 40, 41, 44, 45, 46 and 57 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
146 bars, about 4:15 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 63 times: bars 39, 40, 41, 44, 45, 46 and 57 more.