207 bars of 4/4 at 120 BPM, about 6:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 3-4, kick and crashes through bars 5-7, silence through bars 8-18, hi-hat through bars 19-20, toms through bars 21-22 and hi-hat through bars 23-39, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 40-44, 50-52 and 85-86, and 4 more places -- 27.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
40
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |--------x-------|
BD |x-------------x-|8 fills to learn, played 15 times: bars 2, 4, 22, 30, 37, 38 and 9 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
207 bars, about 6:54 at the written tempo. The course breaks it into 40 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 2, 4, 22, 30, 37, 38 and 9 more.