70 bars of 4/4 at a walking 98 BPM, 2:49 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-10, hi-hat through bars 11-52, ride through bars 53-64, hi-hat through bars 65-68 and kick and crashes through bars 69-70.
The beat the song is built on is one bar, played through bars 21-27, 29-35 and 45-51, and 1 more place -- 40% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|5 fills to learn, played 6 times: bars 28, 44, 52, 60, 68 and 69.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
70 bars, about 2:49 at the written tempo. The course breaks it into 27 exercises over 6 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 28, 44, 52, 60, 68 and 69.