156 bars of 4/4 at 131 BPM, about 4:46 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
hi-hat through bars 1-34, snare through bars 35-62, hi-hat through bars 63-74, snare through bars 75-103, silence through bars 104-132 and snare through bars 133-156.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 15 more places -- 49.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
15
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-xx-x-xx-xx-x-x|6 fills to learn, played 15 times: bars 12, 24, 28, 37, 38, 50 and 9 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 27 out of 100; the rest of the number is everything around it.
156 bars, about 4:46 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 12, 24, 28, 37, 38, 50 and 9 more.