81 bars of 4/4 at a walking 88 BPM, 3:41 of playing, on crash, hi-hat, snare, floor tom and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-8, silence through bars 9-10, hi-hat through bars 11-12, silence through bars 13-14, hi-hat through bars 15-16 and silence through bars 17-18, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 12, and 13 more places -- 66.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
2
1e+a2e+a3e+a4e+a
HH |------x-x-----x-|
SD |----x-------x---|
FT |x------x-x------|
HF |x-x---x-xxx---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
81 bars, about 3:41 at the written tempo. The course breaks it into 13 exercises over 3 sittings, about 30 minutes each.
crash, hi-hat, snare, floor tom and hi-hat foot. Nothing in the part asks for anything else.