109 bars of 4/4 at 115 BPM, about 3:47 of playing, on crash, hi-hat, snare and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
The time is kept on the hi-hat the whole way through.
The beat the song is built on is a 2-bar phrase, played through bars 1-4, 9-11 and 13-28, and 7 more places -- 61.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-o-x-x-|x-x-x-x-x-o-x-o-|
SD |----x--x-x--x---|----x--x-x--x---|
BD |x-x-----x-x-----|x-x-----x-x---x-|2 fills to learn, played 4 times: bars 36, 68, 84 and 92.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
109 bars, about 3:47 at the written tempo. The course breaks it into 12 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 4 times: bars 36, 68, 84 and 92.