121 bars of 4/4 at 119 BPM, about 4:04 of playing, on crash, hi-hat, snare and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-4, snare through bars 5-8, hi-hat through bars 9-81, silence through bars 82-87, hi-hat through bars 88-104 and snare through bars 105-121.
The beat the song is built on is one bar, played through bars 33-39, 65-71 and 73-79, and 2 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
33
1e+a2e+a3e+a4e+a
CC |X---------------|
HH |--o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x---x---x---x---|4 fills to learn, played 14 times: bars 24, 32, 40, 48, 56, 63 and 8 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
119 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
121 bars, about 4:04 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 14 times: bars 24, 32, 40, 48, 56, 63 and 8 more.