135 bars of 4/4 at 135 BPM, about 4:00 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bar 1, snare through bars 2-8, hi-hat through bars 9-41, snare through bars 42-48, hi-hat through bars 49-81 and snare through bars 82-89, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 2-8, 10 and 18, and 14 more places -- 44.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
27
1e+a2e+a3e+a4e+a
CC |--------------x-|
HH |o---o---o---o---|
SD |----x-------x---|
BD |--x-----x-----x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 39 out of 100; the rest of the number is everything around it.
135 bars, about 4:00 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.