101 bars of 4/4 at 126 BPM, about 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-8, hi-hat through bars 9-32, ride through bars 33-37, hi-hat through bars 38-60 and ride through bars 61-67, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 25-31, 45-47 and 49-51, and 6 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1e+a2e+a3e+a4e+a
HH |x-o-xxo-x-o-xxo-|
SD |----x-------x---|
BD |x---x---x---x---|7 fills to learn, played 20 times: bars 4, 23, 24, 32, 43, 44 and 14 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
101 bars, about 3:12 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 4, 23, 24, 32, 43, 44 and 14 more.