122 bars of 4/4 at 120 BPM, about 4:04 of playing, on crash, hi-hat, snare and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-12, hi-hat through bars 13-20, silence through bars 21-29, hi-hat through bars 30-37, silence through bars 38-47 and hi-hat through bars 48-55, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 13-20, 30-37 and 48-55, and 2 more places -- 100% of every bar the kit plays. Learn that one and the song is very nearly finished.
13
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-x-xxxxx-x-xxxx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 7 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
122 bars, about 4:04 at the written tempo. The course breaks it into 7 exercises over 2 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.