90 bars of 4/4 at 140 BPM, about 2:34 of playing, on hi-hat, snare, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-16, snare through bars 17-18, hi-hat through bars 19-55, snare through bars 56-57 and hi-hat through bars 58-90.
The beat the song is built on is one bar, played through bars 9-14, 19-29 and 32-53, and 3 more places -- 69% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |x---x---x---x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
90 bars, about 2:34 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 26 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.