ARTISTS

Oficina G3 drum tabs

3 charts, 80-182 BPM. Each one is read from a real score: play it along to the record, slow it down, or take the practice course under it.

CHARTS
3
TEMPO
80-182 BPM
BARS IN ALL
542
WITH A COURSE
3 of 3
USUAL KEY
C minor
rockchristianchristian rockgospel

EVERY OFICINA G3 CHART

LEARNING OFICINA G3 ON DRUMS

3 Oficina G3 drum parts are transcribed here, 542 bars of music in total, filed under rock, christian, christian rock and gospel. Every one of them is a chart read from a real score rather than a tab somebody typed out: the notes are where the score put them, the tempo is the record’s own, and the page plays the recording underneath while you read.

Nothing here asks you to play it at full speed on the first pass. Take any chart down to half tempo, loop the four bars that will not come clean, and bring it back up. 3 of these 3 songs also have a practice course under them: the part broken into the few things actually different about it, one at a time, ending with you playing the whole song against the record.

A good place to start is "Meus Próprios Meios" at 80 BPM, the slowest of them, or "Meus Próprios Meios" at 94 bars, the shortest. Sheet music, tab, MIDI and MusicXML download from every chart if you would rather read it away from the screen.

QUESTIONS

How many Oficina G3 drum tabs are there?

3 Oficina G3 drum charts, each read from a real score and playable along to the record in the browser. 3 of them come with a practice course that breaks the part into exercises and takes each one up to tempo.

Are Oficina G3 songs hard to play on drums?

Tempos here run from 80 to 182 BPM. The slowest is "Meus Próprios Meios" at 80 BPM, and the shortest is "Meus Próprios Meios" at 94 bars, which makes either a reasonable place to start. Every chart also has a simplified version with the hi-hat pulled back and the fills written as eighths on the snare.

What key are most Oficina G3 songs in?

Most often C minor. The catalogue files them under rock, christian, christian rock and gospel.

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