169 bars of 4/4 at 130 BPM, about 5:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-47, 49-51 and 53-55, and 12 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 29 times: bars 40, 48, 52, 56, 60, 64 and 23 more.
12 more fills are written out on the fills page.
169 bars across 13 sections: 109 keep time, 29 are fills, 9 are stops and 11 are silent. The longest unbroken stretch of time is bars 17-35.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
169 bars, about 5:12 at the written tempo. The course breaks it into 47 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 40, 48, 52, 56, 60, 64 and 23 more.