135 bars of 4/4 at 140 BPM, about 3:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-24, 35 and 39-40, and 8 more places -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 55 times: bars 9, 10, 18, 22, 25, 26 and 49 more.
11 more fills are written out on the fills page.
135 bars across 15 sections: 56 keep time, 55 are fills, 7 are stops and 6 are silent. The longest unbroken stretch of time is bars 110-116.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
135 bars, about 3:50 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 55 times: bars 9, 10, 18, 22, 25, 26 and 49 more.