147 bars of 4/4 at 143 BPM, about 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-10 and 12-13, and 4 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 32 times: bars 22, 30, 32, 34, 36, 38 and 26 more.
10 more fills are written out on the fills page.
147 bars across 16 sections: 72 keep time, 32 are fills, 18 are stops and 10 are silent. The longest unbroken stretch of time is bars 23-29.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
147 bars, about 4:03 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 32 times: bars 22, 30, 32, 34, 36, 38 and 26 more.