119 bars of 4/4 at 140 BPM, about 3:24 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-11, 47 and 49-52, and 9 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 8 times: bars 48, 68, 70, 72, 76, 80 and 2 more.
3 more fills are written out on the fills page.
119 bars across 14 sections: 75 keep time, 8 are fills, 12 are stops and 11 are silent. The longest unbroken stretch of time is bars 14-27.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
119 bars, about 3:24 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 48, 68, 70, 72, 76, 80 and 2 more.