75 bars of 4/4 at 110 BPM, about 2:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26, 30-31 and 62-63, and 1 more place -- 9.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 30 times: bars 1, 2, 4, 9, 12, 14 and 24 more.
12 more fills are written out on the fills page.
76 bars across 9 sections: 33 keep time, 30 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 67-74.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 52 out of 100; the rest of the number is everything around it.
75 bars, about 2:42 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 30 times: bars 1, 2, 4, 9, 12, 14 and 24 more.