12 bars of 4/4 at 138 BPM, about 0:21 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-4 -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 5, 6 and 8.
12 bars across 2 sections: 8 keep time and 3 are fills. The longest unbroken stretch of time is bars 1-4.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
12 bars, about 0:21 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 3 times: bars 5, 6 and 8.