139 bars of 4/4 at 128 BPM, about 4:21 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 91-104, 123-129 and 131-137 -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 32, 48, 64, 72, 80, 89 and 3 more.
1 more fill is written out on the fills page.
139 bars across 12 sections: 101 keep time, 9 are fills, 1 is a stop and 18 are silent. The longest unbroken stretch of time is bars 107-122.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
139 bars, about 4:21 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 32, 48, 64, 72, 80, 89 and 3 more.