68 bars of 4/4 at 110 BPM, about 2:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-20, 35-38 and 45-47, and 1 more place -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 6 times: bars 7, 8, 9, 22, 66 and 67.
68 bars across 10 sections: 45 keep time, 6 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 41-57.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
68 bars, about 2:28 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 7, 8, 9, 22, 66 and 67.