The beat the song is built on is one bar, played through bars 3-4, 7-8 and 67-73, and 3 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 21 out of 100 -- straightforward -- and the thing that decides that is how often it moves around the kit.
The whole song is 55 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 150 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 150, 175 and 200 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash, hi-hat, snare and kick, in 4/4 at 200 BPM, counted in sixteenth notes. It is written out above, and it covers 15.3% of the bars the kit plays.
Bars 3-4, 7-8, 67-73 and 76, and 2 more places. The time is kept on the kick and crashes to start with, and it changes 12 times over the song.
21 out of 100 on its own -- straightforward. The song as a whole is 55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.