177 bars of 4/4 at 141 BPM, about 5:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-40, 76-82 and 134-140, and 3 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 27 times: bars 9, 25, 32, 33, 41, 51 and 21 more.
12 more fills are written out on the fills page.
177 bars across 24 sections: 116 keep time, 27 are fills and 10 are stops. The longest unbroken stretch of time is bars 11-24.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
177 bars, about 5:01 at the written tempo. The course breaks it into 73 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 27 times: bars 9, 25, 32, 33, 41, 51 and 21 more.